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The first time I saw Mad Magazine I was a ten year old living in western Canada. I knew immediately this was the most important art form in the history of human civilization. I loved Mort Drucker’s caricature and the mad genius in the whole enterprise. I especially loved their biting attack on consumer society and the advertising ‘culture’ that surrounded us but was largely accepted without criticism at that time. As I grew older and entered university I came into contact with the work of American editorial cartoonists like Jeff MacNelly, Pat Oliphant , Don Wright and Mike Peters. Once again the experience was like a religious revelation. So much talent and hilarious satire. I thought this was a rare discovery until I attended my first Association of American Editorial Cartoonists convention in 1983 and found out every single living breathing North American of my age demographic had the same passion for their work. So much for unique background inspiration How do you compare American & Canadian editorial cartooning There was a time, perhaps twenty years ago, when Canadian cartoonists felt their professional standards were consistently higher than their fellow artists to the south. The work of Canadians Roy Peterson, Duncan MacPherson and Terry Mosher made it easy to defend this view . Today I think there is less of a divide in terms of work quality. This is largely due to an infusion of very talented young artists like Matt Davies and Ann Telnaes in the US American cartoonists seem to be widely separated by political ideologies ( liberal VS conservative ) much more than Canadians who are largely clustered around the political middle ground. A joke comes to mind of a set of faucets …on the left ‘ cold’ on the right ‘ hot’ and in the middle ‘ Canadian’. I think this common political ground lowers the kind of tension that in the States contributes to a more aggressive satire The fact that Canada currently has such a low international profile makes it easy for its artists to comment on other peoples’ travails but doesn’t guarantee that the work always has passion or powerful convictions The exception to this is in the regional animosities continually festering in Canada…east VS west…Quebec VS everybody…etc. etc. This has proven to be a reliable source of biting sarcasm and intense emotion since confederation in 1867
The work frequently has a European sensibility more than North American. The spare backgrounds and powerful graphic compositions remind me of the work coming from the former Yugoslavia, Romania and Poland. It possesses excellent use of symbolism and biting wit and is less reliant on dialogue and labels than we are in North America I was quite taken with a number of artists and their work…too many to mention but several come to mind. Kambiz Derambakhsh has a great web site ( love his five year old portrait contrasted with the contemporary pic ) and his mature confidence of line, form and color. Massoud Shojai’s instinct for experiment and his mastery of watercolor impressed. Touka Neyestani is masterful. There are so many other excellent artists that I’m not comfortable singling out only a few It was fascinating going through the various sites and I’m left with the powerful feeling that there is a large and thriving community of excellent Iranian satirical art being produced today |
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نوشته شده در دوشنبه هفتم دی 1383ساعت 12:51 توسط نیکآهنگ کوثر
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